Superannotation for the B&T catalogBlurbs will be sought from feminist authors such as Francesca Lia Block, Rebecca Solnit, Kate Schatz, Kate Christensen, Elizabeth Wurzel, Andi ZeislerAriel Gore will be the Feminist Press's featured author at Brooklyn Book Festival 2017.Galleys will be available in late March 2017 for sales conference, featured at BEA 2017, and for a national print and online media mailing (see below):Sending advance copies to the following publications (both print and online):General/regional: LA Times, Chicago Sun Times, Chicago Tribune, Village Voice, The New York Times, Chicago Daily Herald, Buzzfeed, Huffington Post, VICE Media, Los Angeles Times, San Francisco Chronicle, Boston Globe, Chronicle of Higher Education, Daily Dot, Wall Street Journal, Seattle Times, TrendingNY, Daily Beast, Harper's, VICE, Buzzfeed, Village Voice, Chicago Tribune, Los Angeles Times, Oregonian, Philadelphia InquirerLiterary: Guernica, n+1, Bookforum, New York Review of Books, LA Review of Books, The Millions, LitHub, The Paris Review, The Believer, Bloomsbury Review, Rain Taxi, The Rumpus, BookPage, Full Stop, Book Riot, BOMB, Granta, Boston Review, Brooklyn ReviewWomen's interest/popular culture: Ms., Bitch, Bust, VICE Broadly, Jezebel, The Hairpin, Salon, xojane.com, Feministing, Autostraddle, Lenny, Riveter Magazine, Oprah, Elle, Marie Claire, Vanity Fair "Hot Type", Nylon, Refinery29, ComplexTrades: Publisher's Weekly, Booklist, Kirkus, Library Journal, School Library Journal, CHOICE, Shelf Awareness, Horn Book
This experimental novel uses magick spells and inverted fairly tales to combat queer scapegoating, domestic violence, and high-interest student loans.
Spurred on by nineties 'family values' campaigns and determined to better herself through education, a teen mom talks her way into college. Disgusted by an overabundance of phallocratic narratives and Freytag's pyramid, she turns to a subcultural canon of resistance and failure. Wryly riffing on feminist literary tropes, it documents the survival of a demonised single mother figuring things out.
“"We Were Witches is compelling and alarming and sexy and hopeful and aggravating and terrifying and complicated and confident and uncertain and beautiful--just like life." --Esme”
"Gore's magic-infused narrative. . . .is a moving account of a young writer and mother striving to claim her own agency and find her voice." —Publishers Weekly
"This book mimics the messy, discursive texture of memory—of life. . . . Inventive and affecting." —Kirkus Reviews
"A scathing indictment of a system that works again people who are poor and female as well as a piercing and wise look at one woman's struggle to overcome it." —Booklist
"Told with whimsy and dignity. . . . This “memoirist’s novel” is a beguiling mash-up of feminist quotations, literary critique, real life predicaments, and plenty of magic." —The Riveter
"Gore tells her story with such verve and wit I missed my train stop reading it." —Lambda Literary Review
"Ariel. . . .calculates and acts impulsively and makes strange and strong choices. And we are right there with her." —Santa Fe Reporter
"A re-writing of every helpless princess fairy tale and a reclamation of every Scarlet Letter. . . .We Were Witches is an absolute must read." —Ms. magazine blog
“The voice of this book is striking. It’s authoritative, incantatory, and yet also naïve, in the sense that it lets the reader experience events with the immediacy the young protagonist does.” —The Rumpus
“We Were Witches is a novel that reads more like a magic spell/memoir/memory/body…it is everything you didn’t know you were allowed to want in a narrative.” —Autostraddle
"Like a talisman, Gore’s prose works its magic with authoritative subtlety. Reading it will leave you changed for the better." — Signature Reads
“Ariel Gore’s We Were Witches is one woman’s body refusing to become property, refusing to be overwritten by law or traditions, one woman’s body cutting open a hole in culture so that actual bodies might emerge. A triumphant body story. A singularly spectacular siren song.” —Lidia Yuknavitch, author of The Small Backs of Children
“We Were Witches seizes the shame and hurt internalized by young women and turns it into magic art and poetry. Ariel Gore’s writing is a diamond pentacle carved into a living heart, transforming singular experience into universal knowledge.” —Susie Bright, author of Big Sex Little Death
“Forget Freytag's Pyramid (of Predictable Male Prose)—behold Gore’s Upside Down Triangle (of Fierce Feminist Narrative)! Drawing from myth, fairy tale, the wisdom of third wave literary icons, and the singular experiences of a queer single mama artist trying to survive the nineties, We Were Witches is its own genre, in its own canon. It moves with punk rock grace and confidence, and I totally loved it.” —Kate Schatz, author of Rad American Women A-Z
“We Were Witches is raw and truthful, painfully funny, inspiring of outrage, and alive with the wonder and magic of a feminist awakening. One single mom becoming woke, struggling, and triumphing on her own outsider terms, We Were Witches is a new feminist classic, penned by one the culture’s strongest authors at her most experimental and personal.” —Michelle Tea, author of Black Wave
“Ariel Gore’s We Were Witches is both magical and punk rock—the way it takes traditional values and traditional story structure to task, the way Gore’s protagonist, Ariel, uses witchy intelligence to resist a system totally against her.” —Michelle Cruz Gonzales, author of The Spitboy Rule
Ariel Goreis a journalist, memoirist, novelist, nonfiction author, and teacher. She is a graduate ofMills Collegeand theUniversity of California at BerkeleyGraduate School of Journalism. She is the founding editor/publisher ofHip Mama, an Alternative Press Award-winning publication covering the culture and politics of motherhood.
Her memoir,Atlas of the Human Heart, was a 2004 finalist for theOregon Book Award. Her anthologyPortland Queer: Tales of the Rose Citywon the LAMBDA Literary Award in 2010. She has taught at The Attic Institute in Portland, Oregon, at the University of New Mexico in Albuquerque, and at the Institute for American Indian Arts in Santa Fe. She currently teaches online at Ariel Gore's School for Wayward Writers.
Spurred on by nineties 'family values' campaigns and determined to better herself through education, a teen mom talks her way into college. Disgusted by an overabundance of phallocratic narratives and Freytag's pyramid, she turns to a subcultural canon of resistance and failure. Wryly riffing on feminist literary tropes, it documents the survival of a demonised single mother figuring things out.
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