From a startling new voice in contemporary Gothic fiction comes a superbly creepy, critically acclaimed debut about the elusive nature of truth, the stories we choose to believe (or not), and how we choose to tell those tales . . .
'By the end of the third page I was not only hooked, but beginning to think that this might be the best book I'd read all year.' Joanne Harris'I wanted someone to know, you see. One is a story of bloody nights and magical gifts, of children lost to the woods, of husbands made from twigs and leaves and feathers and bones .
From a startling new voice in contemporary Gothic fiction comes a superbly creepy, critically acclaimed debut about the elusive nature of truth, the stories we choose to believe (or not), and how we choose to tell those tales . . .'This might be the best book I've read all year' JOANNE HARRIS'A glorious, pitch-black fairytale of a book' KIRSTY LOGAN, author of Things We Say in the Dark'A feast of storytelling...lingers long after the last morsel's been consumed' SAM LLOYD, author of The Memory Wood'Brutal and beguiling story of love and revenge' LUCIE McKNIGHT HARDY, author of Water Shall Refuse Them'Lascivious and bloody' JAMES LOVEGROVE in the Financial TimesEveryone knew bestselling novelist Cassandra Tipp had twice got away with murder.Even her family were convinced of her guilt. So when she disappears, leaving only a long letter behind, they can but suspect that her conscience finally killed her.But the letter is not what anyone expected. It tells two chilling, darkly disturbing stories. One is a story of children lost to the woods, of husbands made from twigs and leaves and feathers and bones . . .The other is the story of a little girl trying to make sense of a damaged life lived in the shadows . . .But which story is true?Unsettling yet unputdownable, You Let Me In dares to cross the boundary between reality and somewhere else entirely . . .____What readers are saying...'I loved this book, was blown away by it''I would certainly read more from this author''Unexpected, thrilling and darkly twisted''I found myself thinking about it for several days afterwards''The writing was just sensational''An impressive debut''I would love to see Guillermo del Toro make a movie based on this story'
“This might be the best book I've read all year . . . creepy, pagan, detailed, entrancing. I loved it.”
-- JOANNE HARRIS, author of Chocolat and The Strawberry Thief
Smart, creepy . . . glittering and menacing . . . deliciously terrifying. -- Laird Hunt GUARDIAN
Exploring the darker side of fairytales, it inhabits that liminal space where folklore and horror collide. A worrying tale where reality is filtered through the unreal, and the rational rubs shoulders with the supernatural, this is a beguiling story of love and revenge. -- LUCIE McKNIGHT HARDY, author of Water Shall Refuse Them
Bruce's spooky novel is lascivious and bloody, a tale of sexual awakening and dark desires that wreathes its leafy tendrils seductively around you, then tightens them until they start to strangle. -- James Lovegrove FINANCIAL TIMES
Dark and immersive; a feast of storytelling that lingers long after the last morsel's been consumed. -- SAM LLOYD, author of The Memory Wood
This beguiling and unsettling debut had me hooked from the first page . . . a unique, strange and defiant folk horror story which lingers long in the memory. DAILY EXPRESS
A bewitching, beguiling, and deeply unsettling tale of one woman's strange life. It will ensnare you from page one and keep you riveted until the end. -- CAITLIN STARLING, author of The Luminous Dead
In this storytelling masterclass, everything is inverted. DAILY MAIL
A glorious, pitch-black fairytale of a book. Lush, strange and defiant. As soon as I finished it, I went straight back to the start and read it again. -- KIRSTY LOGAN, author of Things We Say in the Dark
Odd and unsettling, this might not be for everyone, but we thought it was magic. HEAT magazine
CAMILLA BRUCE was in born central Norway and grew up in an old forest, next to an Iron Age burial mound. She has a master's degree in comparative literature and has co-run a small press that published dark fairy tales. Her first novel was the acclaimed work of folk horror, You Let Me In; her second the historical crime novel, Triflers Need Not Apply. Camilla currently lives in Trondheim with her son and cat.
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