The Blue Room is renowned playwright David Hare's re-setting of Reigen , Arthur Schnitzler's 'unprintable' series of sexual sketches.
It was only when Max Ophuls made his famous film in 1950 that this work became better known as La Ronde. Now David Hare has re-set these circular scenes of love and betrayal in the present day.
Schnitzler described Reigen, his loose series of sexual sketches, as 'completely unprintable'.The company that first presented them was prosecuted for obscenity in 1921. It was only when Max Ophuls made his famous film in 1950 that the work became better known as La Ronde. Now David Hare has re-set these circular scenes of love and betrayal in the present day. Using as much imaginative freedom in his turn as Ophuls did fifty years ago, and with just two actors playing all of the parts, Hare has created a fascinating landscape of dream and longing which seems both eternal and bang up to date.
David Hare is one of Britain's most internationally performed playwrights. Born in Sussex in 1947, he had a long association with Britain's National Theatre, which produced eleven of his plays successively between 1978 and 1997. A trilogy about the church, the law and the Labour Party - Racing Demon, Murmuring Judges and The Absence of War - was presented in repertory at the Olivier Theatre in 1993. Nine of his best-known plays, including Plenty, The Secret Rapture, Skylight, The Blue Room, Amy's View, The Judas Kiss and Via Dolorosa - in which he performed - have also been performed on Broadway. David Hare's most recent play, The Breath of Life, premi red at the Theatre Royal Haymarket, London, in October 2002.
Schnitzler described Reigen, his loose series of sexual sketches, as 'completely unprintable'.The company that first presented them was prosecuted for obscenity in 1921. It was only when Max Ophuls made his famous film in 1950 that the work became better known as La Ronde . Now David Hare has re-set these circular scenes of love and betrayal in the present day. Using as much imaginative freedom in his turn as Ophuls did fifty years ago, and with just two actors playing all of the parts, Hare has created a fascinating landscape of dream and longing which seems both eternal and bang up to date.
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