Theory Into Practice: Composition, Performance and the Listening Experience by Nicholas Cook, Paperback, 9789061869948 | Buy online at Moby the Great

Theory Into Practice: Composition, Performance and the Listening Experience

Composition, Performance and the Listening Experience

Author: Nicholas Cook and Peter Johnson   Series: Collected Writings of the Orpheus Institute: Orpheus Research Centre in Music

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Summary

The central theme of this book is the relationship between the reflections about and the realization of a musical composition. In his essay "Words about Music, or Analysis versus Performance," Nicholas Cook states that words and music can never be...

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Description

The central theme of this book is the relationship between the reflections about and the realization of a musical composition. In his essay "Words about Music, or Analysis versus Performance," Nicholas Cook states that words and music can never be aligned exactly with one another. He embarks on a quest for models of the relationship between analytical conception and performance that are more challenging than those in general currency. Peter Johnson's essay, "Performance and the Listening Experience: Bach's 'Erbarme dich'" shows that a performance is an element within the intentionality of the work itself. He looks for scientific methods capable of proving the artisticity of a performance. And the composer Hans Zender, in his "A Road Map for Orpheus?," states that a composer must be capable of questioning obvious basic principles (such as equal temperament) and finding creative solutions.

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About the Author

Nicholas Cook is Research Professor of Music at the University of Southampton.

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More on this Book

The central theme of this book is the relationship between the reflections about and the realization of a musical composition. In his essay "Words about Music, or Analysis versus Performance," Nicholas Cook states that words and music can never be aligned exactly with one another. He embarks on a quest for models of the relationship between analytical conception and performance that are more challenging than those in general currency. Peter Johnson's essay, "Performance and the Listening Experience: Bach's 'Erbarme dich'" shows that a performance is an element within the intentionality of the work itself. He looks for scientific methods capable of proving the artisticity of a performance. And the composer Hans Zender, in his "A Road Map for Orpheus?," states that a composer must be capable of questioning obvious basic principles (such as equal temperament) and finding creative solutions.

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Product Details

Publisher
Leuven University Press
Published
31st December 1999
Format
Paperback
Pages
120
ISBN
9789061869948

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