Wintering Out is Seamus Heaney's third collection of poetry: 'Keyed and pitched unlike any other significant poet at work in the language anywhere.' Harold Bloom, Times Literary Supplement
'Seamus Heaney has gone beyond the themes of his earlier poetry and has made the giant step towards the most ambitious, most intractable themes of maturity.
Seamus Heaney has gone beyond the themes of his earlier poetry and has made the giant step towards the most ambitious, most intractable themes of maturity. The power of this book comes from a sense that he is reaching out towards a type of desolation and of isolation without which no imagination can be seen to have grown up.' Eavan Boland, Irish Times
'Keyed and pitched unlike any other significant poet at work in the language anywhere.' Harold Bloom, Times Literary Supplement
Seamus Heaney was born in 1939 in County Derry in Northern Ireland. He grew up in the country, on a farm, in touch with a traditional rural way of life, which he wrote about in his first book Death of a Naturalist (1966). He attended the local school and in 1951 went as a boarder to St Columb's College, about 40 miles away in Derry (the poem 'Singing School' in North refers to this period of his life). In 1956 he went on a scholarship to Queen's University, Belfast and graduated with a first class degree in English Language and Literature in 1961. After a year as a post-graduate at a college of education, and a year teaching in a secondary modern school in Ballymurphy, he was appointed to the staff of St Joseph's College of Education. In 1966 Seamus Heaney took up a lecturing post in the English Department of Queen's University, and remained there until 1972, spending the academic year 1970-71 as a visiting Professor at the University of California in Berkeley.
Seamus Heaney has gone beyond the themes of his earlier poetry and has made the giant step towards the most ambitious, most intractable themes of maturity. The power of this book comes from a sense that he is reaching out towards a type of desolation and of isolation without which no imagination can be seen to have grown up.' Eavan Boland, Irish Times 'Keyed and pitched unlike any other significant poet at work in the language anywhere.' Harold Bloom, Times Literary Supplement
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