A short, intense and profoundly moving debut novel about race, identity, sex and death β from one of the National Book Foundationβs 5 Under 35
A short, intense and profoundly moving debut novel about race, identity, sex and death β from one of the National Book Foundationβs 5 Under 35
Thandi is a black woman, but often mistaken for Hispanic or Asian.
She is American, but doesnβt feel as American as some of her friends.
She is South African, but doesnβt belong in South Africa either.
Her mother is dying.
“'The debut novel of the year ... visceral, cerebral, provocative, elegiac. One can't help but think of Clemmons as in the running to be the next-generation Claudia Rankine' Vogue 'Luminescent' Independent 'A lovely little headrush of a novel ... if you enjoyed Yaa Gyasi's Homegoing then try this' Sunday Times Style 'Penetratingly good and written in vivid still life, What We Lose reads like a guided tour through a melancholic Van Gogh exhibition - wonderfully chromatic, transfixing and bursting with emotion. Zinzi Clemmons's debut novel signals the emergence of a voice that refuses to be ignored' Paul Beatty 'What We Lose navigates the many registers of grief, love and injustice . . . acutely moving' Margo Jefferson, author of Negroland 'I loved this beautiful, honest and entrancing meditation on love, loss and the relationships that enrich and complicate our lives' Bernardine Evaristo 'Wise and tender and possessed of a fiercely insightful intimacy, What We Lose is a lyrical ode to the complexities of race, love, illness, parenthood, and the hairline fractures they leave behind. Zinzi Clemmons has gifted the reader a rare and thoughtful emotional topography, a map to the mirror regions of their own heart' Alexandra Kleeman 'I love how Zinzi Clemmons complicates identity in What We Lose. Her main character is both South African and American, privileged and outsider, driven by desire and gutted by grief. This is a piercingly beautiful first novel' Danzy Senna”
βThe debut novel of the year β¦ visceral, cerebral, provocative, elegiac. One canβt help but think of Clemmons as in the running to be the next-generation Claudia Rankineβ Vogue
βLuminescentβ Independent
βA lovely little headrush of a novel β¦ if you enjoyed Yaa Gyasiβs Homegoing then try thisβ Sunday Times Style
βBracingly clear-eyed β¦ the tension between her steady prose and turbulent emotions is beautifully sustainedβ Daily Mail
βHighly original. Zinzi Clemmons deftly explores grief, sex and identityβ Elle
βConcise and powerful. This original and challenging debut is a must-read for fans of literary fiction and memoirβ Bookriot
βPenetratingly good and written in vivid still life, What We Lose reads like a guided tour through a melancholic Van Gogh exhibit β wonderfully chromatic, transfixing and bursting with emotion. Zinzi Clemmonsβs debut novel signals the emergence of a voice that refuses to be ignoredβ Paul Beatty
βWhat We Lose navigates the many registers of grief, love and injustice . . . acutely movingβ Margo Jefferson, author of Negroland
'I loved this beautiful, honest and entrancing meditation on love, loss and the relationships that enrich and complicate our livesβ Bernardine Evaristo
Zinzi Clemmons was raised in Philadelphia by a South African mother and an American father. Her writing has appeared in Zoetrope: All-Story, the Paris Review Daily, Transition and elsewhere. She is a cofounder and former publisher of Apogee Journal and a contributing editor to Literary Hub. Clemmons lives in Los Angeles and teaches at the Colburn Conservatory and Occidental College.
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