Reading Flannery O'Connor's letters, one feels the living presence in them. Their tone, their content, and even the number of those she corresponded with, reveal the vivid life that was in her, and much of the quality of a personality often badly guessed at.
Winner of the National Book Critics Circle Special Award
"I have come to think that the true likeness of Flannery O'Connor will be painted by herself, a self-portrait in words, to be found in her letters . . . There she stands, a phoenix risen from her own words: calm, slow, funny, courteous, both modest and very sure of herself, intense, sharply penetrating, devout but never pietistic, downright, occasionally fierce, and honest in a way that restores honor to the word."--Sally Fitzgerald, from the Introduction
“"To compare her with the great letter writers in our language may seem presumptuous and would have elicited from her one of her famous steely glances, but Byron, Keats, Lawrence, Wilde and Joyce come irresistibly to mind: correspondence that gleams with consciousness." -- The New York Times”
"To compare her with the great letter writers in our language may seem presumptuous and would have elicited from her one of her famous steely glances, but Byron, Keats, Lawrence, Wilde and Joyce come irresistibly to mind: correspondence that gleams with consciousness." --The New York Times
"These hundreds of letters give O'Connor's tough, funny, careful personality to us more distinctly and movingly than any biography probably would... Remarkable and inspiring." --Kirkus Reviews
Flannery O'Connor (1925-1964) was one of America's most gifted writers. She wrote two novels, Wise Blood and The Violent Bear It Away, and two story collections, A Good Man Is Hard to Find and Everything That Rises Must Converge. Her Complete Stories, published posthumously in 1972, won the National Book Award that year, and in a 2009 online poll it was voted as the best book to have won the award in the contest's 60-year history. Her essays were published in Mystery and Manners and her letters in The Habit of Being.
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