LONGLISTED FOR THE BOOKER PRIZE 2024!From the Booker-shortlisted author of The Trees comes a heartbreaking and powerful retelling of Mark Twain's The Adventures of Huckleberry Finn from the perspective of Huck's friend, the enslaved Jim.
An immensely powerful and bitingly satirical retelling of Mark Twain’s The Adventures of Huckleberry Finn from the perspective of Huck’s friend, the enslaved Jim.
LONGLISTED FOR THE BOOKER PRIZE 2024!Selected as one of the top 12 reads of 2024 by The Times and Sunday Times'Percival Everett is a giant of American letters, and James is a canon-shatteringly great book' - Hernan Diaz, Pulitzer Prize-winning author of Trust'Who should read this book? Every single person in the country' - Ann Patchett, bestselling author of Tom LakeAn enthralling and ferociously funny reimagining of Mark Twain's The Adventures of Huckleberry Finn, told from the perspective of the enslaved Jim. Written by Booker Prize-shortlisted Percival Everett, his novel Erasure is now released as the critically acclaimed and Oscar-winning film American Fiction, and James is set to be the literary event of 2024.The Mississippi River, 1861. When the enslaved Jim overhears that he is about to be sold to a new owner in New Orleans and separated from his wife and daughter forever, he decides to hide on nearby Jackson's Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father who recently returned to town. Thus begins a dangerous and transcendent journey by raft along the Mississippi River, towards the elusive promise of the free states and beyond. As James and Huck begin to navigate the treacherous waters, each bend in the river holds the promise of both salvation and demise.With rumours of a brewing war, James must face the burden he carries: the family he is desperate to protect and the constant lie he must live. And together, the unlikely pair must face the most dangerous odyssey of them all . . .From the shadows of Huck Finn's mischievous spirit, Jim emerges to reclaim his voice, defying the conventions that have consigned him to the margins.
A captivating response to Mark Twain’s classic that is both a bold exploration of a dark chapter in history and a testament to the resilience of the human spirit -- The 2024 Booker Prize Judges
I’m demanding that you read Percival Everett’s novel James, in which Everett takes the camera from Twain’s Huck Finn and hands it to the slave, Jim. Truly extraordinary books are rare, and this is one of them -- Roddy Doyle, Booker Prize-winning author of Paddy Clarke, Ha Ha Ha
James is funny and horrifying, brilliant and riveting. In telling the story of Jim instead of Huckleberry Finn, Percival Everett delivers a powerful, necessary corrective to both literature and history. I found myself cheering both the writer and his hero. Who should read this book? Every single person in the country -- Ann Patchett, bestselling author of Tom Lake
Pure brilliance. Funny, wise, gracious; this may be Everett's best book yet -- Bonnie Garmus, bestselling author of Lessons in Chemistry
Percival Everett is a giant of American letters, and James is a canon-shatteringly great book. Unforgiving and compassionate, beautiful and brutal, a tragedy and a farce, this brilliant novel rewrites literary history to let us hear the voices it has long suppressed -- Hernan Diaz, Pulitzer Prize-winning author of Trust
My favourite novel this year was James by Percival Everett. By giving the runaway Jim from The Adventures of Huckleberry Finn his own voice (or voices) and his dignity – James, not Jim – he adds a dimension that’s missing from the original, and, I think, improves on it -- Salman Rushdie, The Observer, 'Books of the Year'
Scorchingly funny . . . A significant and exhilarating corrective to history, told in the most compelling of voices -- The Sunday Times, 'Books of the Year'
Playful and viciously comic . . . James might be the book of the year and ought to have won the Booker Prize -- The Daily Telegraph, 'Books of the Year'
Percival Everett’s magisterial satire James [is] an essential rewrite of Mark Twain’s Huckleberry Finn -- The Guardian, 'Books of the Year;
James is not just an imaginative retelling of Mark Twain’s The Adventures of Huckleberry Finn (which gives voice and agency to the enslaved Jim) but a gripping and propulsive drama that takes readers on a familiar journey while challenging their preconceptions at every twist and turn -- Financial Times, 'Books of the Year'
One of the novels of the year . . . [It] is both true to the original and turns it entirely on its head. Crackling with insight and wit -- Daily Mail, 'Books of the Year'
You will never think of Mark Twain's seminal 19th-century novel in the same way again, as Everett's version is subversive, clever and exciting, while also being a rollicking good read -- i newspaper, 'Books of the Year'
James by Percival Everett [is] such a brilliant retelling of The Adventures of Huckleberry Finn from the point of view of the enslaved Jim, resisting and rebelling against underestimation and oppression. A wise and profound book – and funny too -- Kit de Waal, The Observer, 'Books of the Year'
James by Percival Everett is more than a retelling of a classic; it is a reclamation, somehow a homage and a rebuke – a retelling that centres a man we only previously accessed through the lens of a child. It is a wry, wise, funny and touching book that I would gift to strangers on the street if I could -- Attica Locke, The Observer, 'Books of the Year'
Funny, moving, beautifully written, Percival Everett’s retelling of The Adventures of Huckleberry Finn is a brave thing to do – but Everett is a fitting match for Mark Twain -- Margaret MacMillan, New Statesman, 'Books of the Year'
Original, funny, quirky and serious without being solemn -- The Spectator, 'Books of the Year'
Choosing the best book of the year is usually a test . . . But this year Percival Everett’s James . . . is so dazzling that it deserves wide appreciation and acknowledgement . . . [It] will surely become a classic to be read alongside Twain -- Elaine Showalter, TLS, 'Books of the Year'
Gripping, painful, funny, horrifying . . . a consummate performance to the last The Observer
This is the work of an American master at the peak of his powers Financial Times
Both a page-turner and a profound meditation on the ramifications of slavery and self-hood . . . Luminous TLS
A classic novel overhauled by a modern master The Daily Telegraph
Percival Everett is an essential writer and James may be his greatest novel yet i
A sharp novel . . . You may think you know Huck Finn’s story but this version breathes new life into it with unexpected twists and turns making it a must-read Daily Mirror
Majestic . . . [James] is Everett’s most thrilling novel, but also his most soulful The New York Times
American literature’s philosopher king — and its sharpest satirist The New Yorker
[An] ingenious retelling of The Adverntures of Huckleberry Finn . . . Everett has outdone himself -- Publishers Weekly (Starred Review)
The audacious and prolific Everett dives into the very heart of Twain's epochal odyssey -- Kirkus (Starred Review)
An absolutely essential read -- Booklist (Starred Review)
Clever, soulful, and full of righteous rage . . . James is destined to become a modern classic Esquire.com
To call James a retelling would be an injustice. Everett sends Mark Twain’s classic through the looking glass. What emerges is no longer a children’s book, but a blood-soaked historical novel stripped of all ornament . . . Genius The Atlantic
‘[A] careful and thought-provoking auditing of The Adventures of Huckleberry Finn . . . broadening our understanding of an endangered classic by bringing out the tragedy behind the comic façade The Wall Street Journal
In a fever dream of a retelling, the new reigning king of satire, Percival Everett, has turned one of America's best loved classics, The Adventures of Huckleberry Finn, upside down . . . a startling homage and a new classic in its own right NPR.org
Heir to Mark Twain’s satirical vision, Everett turns a boyhood memoir into a neo-fugitive slave narrative thriller . . . a provocative, enlightening work of literary art The Boston Globe
[A] sly response to The Adventures of Huckleberry Finn . . . James both honors and interrogates Huck Finn, along with the nation that reveres it The Washington Post
Once you’ve picked up Everett’s James, a retelling of The Adventures of Huckleberry Finn, you’ll know that only Everett could take on the task of allowing Mark Twain’s character Jim to show what was missing from the original story The Los Angeles Times
Audacious. . . Everett [gives] Jim – who, we learn, prefers to be called James – his agency, letting his intelligence and compassion shine through Time
[Percival Everett is a] prolific genius . . . If anyone is poised to casually write a masterpiece that not only becomes instant canon but also sets a brush fire to the current ones it stands upon, it’s Everett. And that’s exactly what he’s done with James Elle
Everett's latest dazzling novel is a supplement and a rebuke, a corrective and a celebration of Mark Twain's [The Adventures of Huckleberry Finn] Scotland on Sunday
[James] abounds in satire and irony . . . Like Kafka, [Percival Everett] is capable at once of being scarily funny and chillingly serious The Herald
By recasting Twain’s flawed classic as a portrait of an enslaved man – in all the fullness of his courage, humanity and humour – Everett leaves a meaningful mark on American letters The Irish Times
The wit of the writing and the fascinating examination into the freeing power of language preserves the charm and action-packed adventure of [The Adventures of Huckleberry Finn], while cleverly – and at times harrowingly – deconstructing its flaws Irish Mail on Sunday
James is a masterful reimagining of Mark Twain’s The Adventures of Huckleberry Finn . . . [Percival Everett] has written a classic -- Nicola Sturgeon, New Statesman, 'Books of the Year'
James, Percival Everett’s reimagining of The Adventures of Huckleberry Finn, was the pick of the Booker list – a nerveless triumph of tone -- Andrew Marr, New Statesman, 'Books of the Year'
Impudent and satirical, Everett demands courageous open-mindedness from his readers -- Terri Apter, TLS, 'Books of the Year'
Devastating . . . [James's] fearsome transformation is marked not only in the title, but also in [the novel's] final words -- Leo Lensing, TLS, 'Books of the Year'
Percival Everett is the author of over thirty published works, including Zulus, Erasure, I Am Not Sidney Poitier, Assumption, Percival Everett by Virgil Russell, Telephone, The Trees, Dr. No and James. A Guggenheim Fellow and Pulitzer Prize Finalist, Everett has won the PEN Oakland/Josephine Miles Literary Award, the Academy Award in Literature, the Bollinger Everyman Wodehouse Prize for Comic Fiction, and the Windham-Campbell Literature Prize for Fiction. In 2022, The Trees was shortlisted for the Booker Prize.Percival Everett lives in Los Angeles, CA, where he is Distinguished Professor of English at the University of Southern California.
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