Roya Hakakian was born and raised in a Jewish family in Iran. This is a portrait of girlhood and adolescence in Iran, on the eve of a revolution. She tells the story of her own coming of age, describing the early, joint murmurings of political awareness and romantic love at a time of grave danger and social unrest.
Roya Hakakian was born and raised in a Jewish family in Iran, the daughter of a well-known poet. All her young life she dreamed of becoming a writer, but "the country beat me to growing up" when, in February of 1979, Ayatollah Khomeyni returned to Iran from a fifteen-year exile. Within two weeks, 2,500 years of monarchy ended and life in Iran was irrevocably changed. Just like that, in two monosyllabic words: Shah gone. And within a year, so went two-thirds of Iran's Jewish population, a community whose history in Iran preceded that of the Moslems by several hundred years. Within five years, Roya's family too was contemplating political asylum, because life for writers and intellectuals had become mortally dangerous. "Journey From The Land Of No" is an intimate, rich portrait of a girlhood and adolescence in Iran on the eve of the revolution. Hakakian was twelve when the revolution broke out and fourteen when Iraq began bombing Tehran.She describes how she watched as her schoolmates were escorted out of the class by guards, never to return, and tells the harrowing story of how her English teacher managed to remove her name from the list because she wanted to save such a talented writer. Roya Hakakian is a narrator with a strong voice and a wry sense of humour, and she tells the story of her own coming of age with great poignancy, describing the early, joint murmurings of political awareness and romantic love at a time of such grave danger and social unrest. Behind all the exotic landscapes and adventures of this memoir there is a simple and common human tale that has always seized imaginations and won the hearts of readers: the struggle of a stubborn girl to fashion herself authentically in the wrong place, at the wrong time, in a country that was fast falling into the hands of Islamic fundamentalists, in a nation that had just declared an insidious war on its female citizens.
“Winner of the 2004ElleReaders' Prize for Best Book of the Year in Nonfiction "Hakakian's intimate anthropology opens a window on one life during turbulent times in the Middle East. . . . This book does us the service of removing some of the region's mythical stereotypes . . . and illuminating a real contemporary culture we would do well to know better." -Seattle Times "Hakakian, irrepressible, brave, and strong-willed, watches in dismay as the country she loves disappears, to be replaced by one that views what Roya most values-an insatiable intellect-with profound contempt. Like Anne Frank, she is a perceptive, idealistic, terribly sympathetic chronicler of the gathering repression." -Baltimore Sun "A spectacular debut memoir . . . Only a major writing talent like Hakakian can use the pointed words of the mature mind to give the perspective of the child. . . . She tackles ideologies of assimilation and oppression with poetic aplomb and precision. . . . Hakakian's tale of passage into womanhood lacks nothing." -Boston Globe "[Hakakian is] a lyrical storyteller . . . Her moving narrative swings from funny to sad, capturing idyllic scenes of her parents, aunts, and uncles picnicking and interacting with Muslim friends." -Washington Post From the Trade Paperback edition.”
Winner of the 2004 Elle Readersβ Prize for Best Book of the Year in Nonfiction
βHakakianβs intimate anthropology opens a window on one life during turbulent times in the Middle East. . . . This book does us the service of removing some of the regionβs mythical stereotypes . . . and illuminating a real contemporary culture we would do well to know better.β βSeattle Times
βHakakian, irrepressible, brave, and strong-willed, watches in dismay as the country she loves disappears, to be replaced by one that views what Roya most valuesβan insatiable intellectβwith profound contempt. Like Anne Frank, she is a perceptive, idealistic, terribly sympathetic chronicler of the gathering repression.β βBaltimore Sun
βA spectacular debut memoir . . . Only a major writing talent like Hakakian can use the pointed words of the mature mind to give the perspective of the child. . . . She tackles ideologies of assimilation and oppression with poetic aplomb and precision. . . . Hakakianβs tale of passage into womanhood lacks nothing.β βBoston Globe
β[Hakakian is] a lyrical storyteller . . . Her moving narrative swings from funny to sad, capturing idyllic scenes of her parents, aunts, and uncles picnicking and interacting with Muslim friends.β βWashington Post
Roya Hakakian has written and produced over a dozen hours of programming for some of the most prestigious documentary units on television. Her prose and poetry have appeared in anthologies in and outside of Iran. She is a member of the Iranian Writers Club in Diaspora and the Council on Foreign Relations.
From the Hardcover " We stormed every classroom, inscribed our slogans on the blackboard . . . Never had mayhem brought more peace. All our lives we had been taught the virtues of behaving, and now we were discovering the importance of misbehaving. Too much fear had tainted our days. Too many afternoons had passed in silence, listening to a fanatic' s diatribes. We were rebelling because we were not evil, we had not sinned, and we knew nothing of the apocalypse. . . . This was 1979, the year that showed us we could make our own destinies. We were rebelling because rebelling was all we could do to quell the rage in our teenage veins. Together as girls we found the courage we had been told was not in us." In Journey from the Land of No Roya Hakakian recalls her childhood and adolescence in prerevolutionary Iran with candor and verve. The result is a beautifully written coming-of-age story about one deeply intelligent and perceptive girl' s attempt to i
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